• BIO
    • ARTIST STATEMENT
    • CV
    • CONTACT
    • PAINTINGS
    • KUSTOM MURALS
    • INSTALLATION
    • COMMERCIAL PARTNERSHIPS
  • BLOG
  • EVENTS
Menu

Jacqueline Valenzuela

  • ABOUT
    • BIO
    • ARTIST STATEMENT
    • CV
    • CONTACT
  • WORK
    • PAINTINGS
    • KUSTOM MURALS
    • INSTALLATION
    • COMMERCIAL PARTNERSHIPS
  • BLOG
  • EVENTS
×
Screen Shot 2019-07-02 at 11.16.17 PM.png
F6F1D0F5-BC12-4DC2-AA8C-B25AC1C93EFB.JPG
AE64487C-1D0B-4186-BE40-EDA977E27EF5.JPG
241B7E07-3DCC-43EB-AAA3-FBDA390A6F79.JPG
B80E2F45-674C-4F51-8B6B-F72AAB895051.JPG
DCB53618-F4F3-40D6-A4C7-3E979BF1AFEE.JPG
8C27468D-8907-4C1C-9B26-2E53E7EA9847.JPG
Screen Shot 2019-07-02 at 11.16.17 PM.png F6F1D0F5-BC12-4DC2-AA8C-B25AC1C93EFB.JPG AE64487C-1D0B-4186-BE40-EDA977E27EF5.JPG 241B7E07-3DCC-43EB-AAA3-FBDA390A6F79.JPG B80E2F45-674C-4F51-8B6B-F72AAB895051.JPG DCB53618-F4F3-40D6-A4C7-3E979BF1AFEE.JPG 8C27468D-8907-4C1C-9B26-2E53E7EA9847.JPG

The Erased History of Women in the Car World : Lowriders, Hot Rods, Kustoms & Dragracing

Jacqueline Valenzuela July 3, 2019

So the last time I posted I had highlighted how all the lowrider women I have come in to contact with as well as myself have faced backlash from our male counterparts. I do stand by my statement because it is mine as well as these women’s very real first hand experience with male lowriders and males only car clubs. But since my last blog post I got feedback from a lowrider painter, Ralph Ascencio, who had taken the time to read through my post. He made me aware that women had been a large part of the lowrider community and the car world in general during the early years. Although things changed along the way when lowriding became more mainstream and the sexual appeal of having women alongside the cars as eye candy created a standstill in the realm of women lowriders. The more common it became to see highly sexualized women posing on cars, the more the women became a prop. So I believe because of this the resurgence of women lowrider seems so new. I knew this generation of women lowriders and myself couldn’t have possibly claimed to be the first women lowriders. And there’s proof that women ruled in this community gave men a run for their money in the early years. Ha, maybe that’s why we were pushed out. Anyways here’s some information I gathered from Ralph as well as pictures from these early years.

We’ll start off with the Lady Bugs CC. During the 70s this car club was an all-female club that proudly customized their VW bugs. And you guessed it this car club was cruising all the spots that their male counterparts were. The car club was made up of women from Sun Valley, Echo Park and East Los. The founder of the club, Stella Perez, spent her Sundays recruiting women VW owners at the famous Elysian Park AKA a fundamental lowrider location. From there she would cruise the blvd. She became friends with and recruited Ruby Alexandra Beloz, who would become Vice President of the Lady Bugs. At the time they were completely unaware that they were making lowrider history by creating the first ever all-chicana female car club.

For more information about this club you can read an article by lowrider magazine. Link below:

https://www.lowrider.com/lifestyle/1011-lrmp-lady-bugs-car-club/

Then there was the pride of the valley, Linda Reyes. She was the mother of Mario Gomez a world famous painter. Her son worked alongside Bill Carter, another famous painter, to paint a ‘65 Impala “Choosey Beggar” for his mother. They raced to finish it for a car show and although they didn’t win anything everyone was proud of this accomplishment. Linda acted as inspiration for many of the people within her community. These neighborhood men would later go on to pay homage to her and her son by painting “Summer Madness”.

When it comes to Hot Rods and Customs three women stick out the most: Veda Orr, Shirley Barris and Marcia Campbell . All of them built and competed alongside the best of the males. And they won. Veda built her own motors and she was also the first female member of SCTA. She also made sure that the troops during WWII were getting information about what was happening in the U.S. to build the soldiers moral. Shirley was the wife of George Barris, AKA a creator of krazy kustom cars (such as the Batmobile). She acted as George’s back bone and if not for her kustom cars would not be what they are today. She supported him in all his endeavors and was right there by his side through thick and thin. Marcia Campbell documented chops tops and even how to articles through the use of photography. They are still useful to this day. Even though she bowed out of the Hot Rod mainstream she continued on with her passion for cars through collecting, restoring and even racing.

For more information about each women you can click the links below:

https://kustomrama.com/wiki/Veda_Orr

http://www.barris.com/history.php

https://www.customcarchronicle.com/photo-archives/marcia-campbell-collection/marcia-campbell-not-a-bettie-page/#.XRxFey2ZPPA

Last but not least we have Shirley Cha Cha Muldowney. She was known as the First Lady of drag racing. She beat the best of the best and to this day still holds records. She quickly gained a reputation within this community as someone who refused to back down from gender-related issues. She had been licensed by the National Hot Rod Association. And became the first woman to have been permitted the qualifications to compete in the professional level categories.

For more information about Shirley click on the link below:

https://www.muldowney.com/shirley.html

As you can see we’ve been down. Our earlier car women were forgotten along the way due to the mainstream aspect. So here we are building it up again and battling the idea that women only belong alongside cars and not driving them. As said before this generation clearly wasn’t the first and it won’t be the last. My hope is the my work brings these women and their stories to a forefront. Because we all too often get erased or forgotten in history. This is the perfect example. But by highlighting these women I can hopefully inspire younger girls who want lowriders to get their own car. We aren’t props and remember the car isn’t a prop either. It’s important to point out that the mainstream still effects the lowrider community and more and more people are simply getting these cars for their aesthetic and not for the love of lowriding. We’ll talk about that in a later blog post. Thanks for reading! Also keep an eye out for more information regarding the early years of lowriding the roles that women played.

Ralph Ascencio’s IG: @88mango

1 Comment
Image-1.jpg

Why Women Lowriders are Important to Me

Jacqueline Valenzuela July 2, 2019

It’s funny to think that a community which is built around heavily “feminine” candied cars has socially been exclusively masculine. Low riding has often been thought of as solely a male activity, not only from the eyes of male lowrider owners but also from the outside world. This probably roots from car club rules that typically have highlighted that club members are males only. Then of course there’s the highly sexualized women placed to model alongside these cars. They do attract the male view right?

Yet, what’s forgotten are the women counterparts within the car clubs. Mostly wives, girlfriends, daughters, nieces, etc. that do all the behind the scenes work. Putting together events, doing paperwork, helping with the upkeep of the cars and so on. These women love lowriding just as much as the men within the community. Some love it so much that they have challenged the social norm of “males only” and taken on the project of having their own lowrider.

The reason that I have chosen to pour myself into a series highlighting these women is because I didn’t know what I would be facing when my boyfriend handed me the keys to my 75 Cadillac ElDorado. If I’m being honest I had never imagined owning my own lowrider. I loved my partners car (‘84 El Camino), even when it was a complete bucket with primer spots and a gutted interior. I savored cruising down the Blvd in it. Driving it made me feel like I was floating. So when I became an owner I knew that I would devote everything I had into my car. Because it was mine, my pink “Playgirl”. And then reality hit, men always thought the car was my boyfriends. “Your boyfriend has a nice car.” “Oh he owns two lowriders now!” “You let her drive your car?” NEVER did they assume or believe that this massive car could belong to a woman.

Yet here I am, in the processing of taking my car down to bare metal to help my boyfriend bring my dream lowrider to life. I go into the paint store with my boyfriend. They know me. They now know it’s my car. They’re still surprised that I’m there on a Saturday morning picking up supplies with my partner to go and work on MY lowrider. I spend hours working on my “Playgirl”. I want her to be pristine.

All the women I have encountered throughout this series have only highlighted this issue. They detail how men feel intimated or brush them off as car owners. Some men think, “She just has that car because of her boyfriend or her dad.” Not, “Damn your ride is sick! Good to see a woman holding it down.” Even as these women and myself continue to break this social norm we still are not always met with the respect granted to our male counterparts. That’s not to say that there hasn’t been changes. Some car clubs are now accepting female club members. Some of these women even hold positions within the club. Some women are creating their own car clubs with all female drivers. We’re still here. We’re still working on and driving our own cars. Even if you don’t believe it haha. Anyways there’s much more to say about this issue but at a later time. I will be keeping you guys up to date with interviews about my subjects experiences. And I’ll be showing you the progress I make on my own car. Lets make these men do a double take when we cruise by in our glistening cars.

Comment
IMG_0868.jpg
IMG_0869.jpg
IMG_0868.jpg IMG_0869.jpg

Solo Show Preparation

Jacqueline Valenzuela June 20, 2019

I am currently in the process of creating work for a solo show that is set to take place from January 6th to February 27th of 2020. The gallery space at the Baldwin Park Arts and Recreation Center is extremely large and I am working day and night to fill up the space. The exhibition is named, “Bajito Y Suavecito: Mujeres de Lowriding”. Basically the work that will be shown will range from smaller works that focus on the graffiti and cityscape aspect that goes hand in hand with the essence of lowriding. To larger scale pieces that highlight different women within the lowriding community and their stories. Ultimately the show is meant to comment on the erasure of these women from the main stream perspective. I use aspects of abstraction and representation to create hybrid paintings that are layered with information.

Pictured above is a look at some of the work that will be in the show. I have many more in progress and tons of smaller ones that are finished.

I will keep y’all updated and post a flyer as soon as it is available. Hope y’all can make it to opening night Friday January 10th from 5-9pm.

AS - StreetSurreal IG 1.1.jpg
IMG_0819.jpg
IMG_0813.jpg
IMG_0814.jpg
IMG_0812.jpg
IMG_0811.jpg
IMG_0809.jpg
IMG_0806.jpg
IMG_0805.jpg
IMG_0804.jpg
AS - StreetSurreal IG 1.1.jpg IMG_0819.jpg IMG_0813.jpg IMG_0814.jpg IMG_0812.jpg IMG_0811.jpg IMG_0809.jpg IMG_0806.jpg IMG_0805.jpg IMG_0804.jpg

Art Share L.A.: Street Surreal

Jacqueline Valenzuela June 19, 2019

My work is currently being exhibited at Art Share L.A. for their show, Street Surreal. The show runs from June 15th to July 21st. The exhibit focuses on city life and the ways in which it fosters the collision of various realities, creating a surreal cityscape. One thing that stuck out to me as I walked around on opening night was the reoccurrence of street signage across the group of work. It was fascinating to see each and every artist have a differing perspective on the cityscape. All while still harmonizing and truly giving the essence of city life in Downtown Los Angeles. I highly recommend stopping by anywhere between Wednesday's and Sunday’s from 1-6pm to catch this exhibit.

The artists included are:

Dana Blume @_danadane76d _

Clare Bradshaw

Lizette Carrasco

Scott Froschauer @sfroschauerart

Colbain Laflare @cobainlaflare

Matthew O’Connor @miggity_matt

Daisuke Okamoto @okainaimage

Albert Orozco @alorozco

Gary Petlak Jr. @garypetlakjr

Vanessa Quintero

Jacqueline Valenzuela @pieldemazapan

Darlyn Susan Yee @darlynsusanyee

Mikkalous @mmmikkalous

TBIRD @t.birdyy

@wheatpastedJPEG

In Painting Tags exhibition, art, artist, artshare, losangeles
bfa show poster final.jpg
IMG_0169.jpg
IMG_0168.jpg
251CD34C-E965-4639-8A35-F681FCA8BBFE.jpg
0C231F28-A953-4755-9B1A-4B0F96D8158C.jpg
9FE66BAA-6F96-40C0-AEE9-BFE7613F1B46.jpg
59A2BB4E-24C5-400E-863A-0D53F8B7F88E.jpg
58DAA878-5055-4960-9CF4-59BE5DAEA7DF.jpg
A6989B03-D401-439F-8709-6D509073FB76.jpg
IMG_20190505_171844.jpg
IMG_20190505_173215.jpg
IMG_20190505_182034.jpg
IMG_0139.JPG
bfa show poster final.jpg IMG_0169.jpg IMG_0168.jpg 251CD34C-E965-4639-8A35-F681FCA8BBFE.jpg 0C231F28-A953-4755-9B1A-4B0F96D8158C.jpg 9FE66BAA-6F96-40C0-AEE9-BFE7613F1B46.jpg 59A2BB4E-24C5-400E-863A-0D53F8B7F88E.jpg 58DAA878-5055-4960-9CF4-59BE5DAEA7DF.jpg A6989B03-D401-439F-8709-6D509073FB76.jpg IMG_20190505_171844.jpg IMG_20190505_173215.jpg IMG_20190505_182034.jpg IMG_0139.JPG

Shifting Through the Circuit: A BFA Painting Exhibition

Jacqueline Valenzuela May 9, 2019

Our BFA Senior Show was a bittersweet moment. Clearly, my studio mates and I have thrived within our last semester at CSULB. Seeing the culmination of our time at CSULB emanating from our work was rewarding and exciting. Yet, I know that from my point of view it also feels like the end of the road, at least academically. I mean it is, but it felt different looking at the show knowing it would be the last time any of us would be exhibiting our work at the on campus student galleries. The show itself was a hit. Our opening night was full of foot traffic and during the week it showed we encountered a diverse array of viewers. We got a lot of good feedback on the show as well as helpful critiques that will push us forward past this milestone. We all look forward to the future and what our emerging art careers will bring to us. I can’t believe we’re about to graduate!!!!

I have included pictures from the opening night as well as install shots.

Keep in mind that if you were not able to catch this show I do have a solo show in the works for January-February of 2020 which will include the two paintings I showed here. Also I will continue to post about any other upcoming shows I will participate in for the remainder of 2019.

In Painting Tags artshow, bfa, painting, artist
Screen Shot 2019-03-26 at 10.31.47 PM.png
Screen Shot 2019-03-26 at 10.32.52 PM.png
Screen Shot 2019-03-26 at 10.31.47 PM.png Screen Shot 2019-03-26 at 10.32.52 PM.png

Current Happenings

Jacqueline Valenzuela March 26, 2019

As I am approaching graduation I have begun to look for more artist opportunities available to me as an emerging artist. I have found a few and I’m happy to announce that some have turned out great for me.

For example, I was looking through instagram and came across a grassroots and woman-run online publisher called, Intercultural Press Rebels. They promote, “…multilingualism, intersectionality, and self-empowerment through art and literature.” They had an open call for artists to be featured in their online Spring galleries. I applied and got accepted and now I have 3 paintings being displayed online. I contacted them afterwards to see if they would be archiving the Spring gallery and they replied that they were actually just working on getting that going and were also thinking of making a zine about the Spring gallery artist and writers. I’m clearly really excited about this because I feel it’s important to take as many opportunities as possible especially as an emerging artist.

Another opportunity I had was being interviewed by VoyageLA. This interview means I get some exposure which is a huge plus, and not to mention it can be added to a CV. This was another great opportunity that I had looked in to because I had noticed many other emerging artists on IG posting about their interviews with VoyageLA. It’s actually a very simple process and you can recommend yourself to be interviewed by providing your name, email, and website. I thought it was an easy way to again get my art out there and so I did it. The process was fairly easy as it is all done through email and it is published quickly. I think I waited maybe a week to hear back after I had done the interview. Also in the end not only is it published online but it’s also printed and you have the option to order a copy for yourself to keep. I think something like VoyageLA is a beneficial opportunity for emerging artists so I would highly recommend it.

I had also just recently emailed a creative director at the Arts and Recreation Center in Baldwin Park. I was interested in finding out ways in which I could possibly put together my own show. I’ve show my work here before because a close artist friend, Kiara Machado, has given me many opportunities to be a part of shows she curates here. I’m very community oriented and I feel my art is too so I thought having an art show at a community center just made sense. I actually just went to pick up some pieces from a show they just took down that I had been apart of. The woman I had emailed was there and told me she had read my email, but was busy so she had forgotten to reply back. But the good news is she mentioned how she had told her boss about it and since they know me because I’ve participated in other shows that they are supportive of me getting a show there. I was told that in a couple of days I’ll get an email back regarding days that would work for me for the show. So keep an eye out for more announcements about that.

Besides these exciting things I also found a couple of websites I feel were cool and offered many artist job listings and opportunities such as open calls.

  • artist.callforentry.org

  • arts.ca.gov

  • artsforla.gov

Just thought I should share some things I have found that are helping me as an emerging artist. Also wanted to update y’all about current mini-accomplishments that I think are important.

366468DD-9948-4811-BEFA-3501464A8289.JPG IMG_1738.JPG IMG_1739.JPG

Preparing for BFA Show

Jacqueline Valenzuela March 4, 2019

So within these last two weeks since my last art show I’ve had to jumpstart on paintings for my BFA show. Considering the amount of people graduating in the program this semester we will only be able to have one piece each for the show. I didn’t want to put all my eggs in one basket so I have started two paintings and I’m planning on starting at least another 2 this week/weekend. That way I’ll have a variety of paintings to choose from.

As always I start my paintings by interviewing a woman. I gather information regarding her life and experiences within the low rider world. I also consider landmarks that are important to the individuals, as well as city maps, signs, etc that relate to her. Then I do some quick sketches and settle on a composition I like. So here are the beginning stages of two paintings I have going on right now. I’ll be posting updates on the progress as we inch towards the BFA show.

Here’s some background on the two paintings: The one with the figure already drawn in is based on a lowrider woman named Tina who owns “La Nube”. She has owned her ‘62 Impala for about 13 years now. Tina, along with her husband, is the co-founder of Loyal Alliance based out of Harbor Area. This car club is gender inclusive, slowly but surely we are beginning to see more women being allowing into car clubs. It’s even more amazing that Tina is a co-founder of a car club. As I interviewed her she emphasized how men tend to not take women lowriders seriously. Often times losing interest when finding out that a woman owns the car. Tina is very much involved in the community and highlights her efforts to participate in all women’s cruise nights. She also stated that she loves owning her car because she knows it can be motivational to other women who want to own and cruise a car just like her.

The other painting that is still an under sketch is based off of a lowrider woman named Monique who owns “Baby Lincoln”. Monique has actually been the subject of another painting but her figure was not incorporated into the composition. Now that I’ve gotten better at incorporating the figure I’ve decided to do another painting based on her. This time I want to treat this as a diptych with the other canvas being focused on her mother who has been part of the lowrider community for much longer than Monique. This could illustrate the family values and generational history that runs deep in lowrider culture. Monique has been around lowrider her whole life. Her father is the founder of Elusive car club based out of Pico Rivera. Monique was voted in as treasurer of the club. She’s a single mother and her son is also throughly involved in the lowrider community. They are currently restoring a Lincoln for her son. Ultimately lowriding has greatly impacted Monique’s life.

I look forward to further illustrating these women, their cars, and their lives to this audience. It’s deeply important to me that people within the lowriding community as well as outside become more aware of the importance that women lowrider’s play.

In Painting Tags artist, womenartist, studio, artstudio, oilpaint, acrylicpaint
IMG_1241.JPG
IMG_1223.JPG
IMG_1242.JPG
IMG_1243.JPG
IMG_1244.JPG
IMG_1245.JPG
IMG_1246.JPG
IMG_1247.JPG
IMG_1248.JPG
IMG_1241.JPG IMG_1223.JPG IMG_1242.JPG IMG_1243.JPG IMG_1244.JPG IMG_1245.JPG IMG_1246.JPG IMG_1247.JPG IMG_1248.JPG

Fuerza: A Duo Painting Exhibition

Jacqueline Valenzuela February 18, 2019

“Fuerza” meaning “force” in Spanish; in this case, describes the empowerment and ambition​ ​of female-identified artists. This collection of work expresses several ways that women are celebrated through painting. Vivian and Jacqueline both speak on relevant topics regarding femininity, yet do so in opposing ways.

Although both artists use dynamic color palettes, Vivian uses these palettes to create sensuous abstractions emphasizing the female form through draped bodies, while Jacqueline uses geometric patterns in conjunction with the representational components of her work to bring attention to women within the Chicano world of lowriding. Because lowriding is a predominantly male subculture, women in this scene are defying traditional gender stereotypes by denying the sexual appeal attached to women. Jacqueline references the murals seen in latinx communities which focus on religion and political issues to comment on how women are seen as divine but juxtaposes it by using it as a feminist statement. On the opposite side of the spectrum, Vivian’s work is meant to embrace these characteristics that have been deemed “feminine”, such as using variations of pink in her palettes, as well as, the inclusion of organic flowing shapes. She uses fabrics and textiles as the subject of her work because they have used to either accentuate or conceal the physical attributes of the female form.

Upon observing these visual systems, the viewer is asked to think about the relationship between changing structures and stimulating sensuality. Ultimately both artists create visually different work ranging from geometric and representation to organic and intuitive, yet both use similar color schemes. Overall this creates visual comparisons allowing the viewers to switch between artwork without drastic disruption.

In Painting Tags chroma, painting, womenartist, oilpaint, acrylicpaint, artshow, artist
1 Comment
← Newer

Search Posts

Post Archive
  • Painting
 

Featured Posts

Featured
Feb 18, 2019
Fuerza: A Duo Painting Exhibition
Feb 18, 2019
Feb 18, 2019

Powered by Squarespace